Native American & Southwest Jewelry Terms

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Match definitions to Native jewelry terms

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Isabel Rutledge

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Native American & Southwest Jewelry Terms


Froggy Jumps Native American & Southwest Jewelry TermsVersión en línea Match definitions to Native jewelry terms por Isabel Rutledge 1 A stone cut with a flat base and a smooth, convex surface. a CABOCHON b CASTING c BEZEL 2 A translucent stone colored red to orange. a ONXY b CARNELIAN c OPAL 3 Pouring molten metal such as sterling silver into a mold to form a piece. a CASTING b CHIP INLAY c HEISHI 4 Stripes of metal holding stones in place next to each other in a sort of striped design. a OVERLAY b SQUASH BLOSSOM c CHANNEL INLAY 5 An opaque blue-green mineral resembling turquoise. a TURQUOISE b SPINY OYSTER c CHRYSOCOLLA 6 A belt style of silver discs often set with stones or hand-stamped. a NAJA b LOOP BEADS c CONCHO 7 Skeletal remains of tiny marine animals, color ranges white to pink/red. a CORAL b FETISH c HEISHI 8 Objects representing animal spirits in Southwestern tribes. Hand-carved and often strung with other beads on necklaces. a KOKOPELLI b KACHINA c FETISH 9 The maker’s mark and metal fineness stamped on jewelry. a JETTING b SILVER OVERLAY c HALLMARK 10 Beaded discs made of stones such as turquoise or red coral with a central hole strung to form a flexible necklace. a NAJA b HEISHI c JACLA 11 Jewelry items that have been initialed or stamped with a symbol by the artist who handmade the piece. a Artist Signed b Hallmark c Repoussé 12 Used on necklaces to attach a pendant. a Buckle b Bail c Hoops 13 Round sterling beads with solder mark around the middle; also called “Navajo pearls.” a Naja b Heishi c Bench Beads 14 A gentle stone found in white, sometimes dyed blue, or green to mimic turquoise. Sometimes called Buffalo Turquoise a Lapis Lazuli b Howlite c Mother of Pearl 15 A jewelry-making technique in which the stones, coral, or shells incorporated have a flattened surface that is placed flush with the surrounding silver setting, often resembling a mosaic. a Inlay b Overlay c Casting 16 Two loops of heishi (originally earrings) fastened to the bottom of a beaded necklace as a pendant-style attachment. a Jacla b Naja c Sandcast 17 An ancestral spirit of the Pueblo Indians (Zuni & Hopi), often depicted in costumed dance and dolls. a Sunface b Kokopelli c Kachina 18 Traditional Pueblo totem that may have originally represented ancient Aztec traders or could be an anthropomorphic insect. A revered fertility deity, trickster god, and spirit of music often depicted as a humpbacked flute player. a Kokopelli b Kachina c Heyoka 19 This Navajo word refers to the crescent-shaped pendant suspended from squash blossom necklaces. A symbol of protection. a Sunface b Naja c Kachian 20 Notable in Hopi jewelry designs, this silversmithing technique involve soldering two layers of silver together. a Repousse b Inlay c Overlay 21 A method of creating decorative patterns or designs on metal surfaces by hammering the metal from the back to create raised relief on the front. a Repousse b Sandcast c Hallmark 22 A technique whereby metal is cast in molds made of volcanic stone making an original artist's piece. a Sandcast b Channel Inlay c Shank 23 An essential historical piece of Native American culture and artistic expression. Although it has been overshadowed by unfortunate historical associations, its true meaning of healing, protection, and well-being. a Sunface b Tufa Casting c Whirling Log

Native American & Southwest Jewelry Terms

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Native American & Southwest Jewelry TermsVersión en línea

por Isabel Rutledge

A stone cut with a flat base and a smooth, convex surface.

A translucent stone colored red to orange.

Pouring molten metal such as sterling silver into a mold to form a piece.

Stripes of metal holding stones in place next to each other in a sort of striped design.

An opaque blue-green mineral resembling turquoise.

A belt style of silver discs often set with stones or hand-stamped.

Skeletal remains of tiny marine animals, color ranges white to pink/red.

Objects representing animal spirits in Southwestern tribes. Hand-carved and often strung with other beads on necklaces.

The maker’s mark and metal fineness stamped on jewelry.

Beaded discs made of stones such as turquoise or red coral with a central hole strung to form a flexible necklace.

Jewelry items that have been initialed or stamped with a symbol by the artist who handmade the piece.

Used on necklaces to attach a pendant.

Round sterling beads with solder mark around the middle; also called “Navajo pearls.”

A gentle stone found in white, sometimes dyed blue, or green to mimic turquoise. Sometimes called Buffalo Turquoise

A jewelry-making technique in which the stones, coral, or shells incorporated have a flattened surface that is placed flush with the surrounding silver setting, often resembling a mosaic.

Two loops of heishi (originally earrings) fastened to the bottom of a beaded necklace as a pendant-style attachment.

An ancestral spirit of the Pueblo Indians (Zuni & Hopi), often depicted in costumed dance and dolls.

Traditional Pueblo totem that may have originally represented ancient Aztec traders or could be an anthropomorphic insect. A revered fertility deity, trickster god, and spirit of music often depicted as a humpbacked flute player.

This Navajo word refers to the crescent-shaped pendant suspended from squash blossom necklaces. A symbol of protection.

Notable in Hopi jewelry designs, this silversmithing technique involve soldering two layers of silver together.

A method of creating decorative patterns or designs on metal surfaces by hammering the metal from the back to create raised relief on the front.

A technique whereby metal is cast in molds made of volcanic stone making an original artist's piece.

An essential historical piece of Native American culture and artistic expression. Although it has been overshadowed by unfortunate historical associations, its true meaning of healing, protection, and well-being.