Holograms - Synthesis practice

Froggy Jumps

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Source 1 is adapted from Fiona Sturges, “Houston, We Have a Solution: Why Hologram Tours Are the Obvious
Next Step for the Music Industry.” ©2019 by The Independent Digital News & Media Ltd. Sources 1 and 2 discuss
holograms. In this context, holograms are images projected with lasers that appear to a viewer to be threedimensional.

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Lama AlShami

Arabia Saudí

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Froggy Jumps Holograms - Synthesis practiceVersión en línea Source 1 is adapted from Fiona Sturges, “Houston, We Have a Solution: Why Hologram Tours Are the Obvious Next Step for the Music Industry.” ©2019 by The Independent Digital News & Media Ltd. Sources 1 and 2 discuss holograms. In this context, holograms are images projected with lasers that appear to a viewer to be threedimensional. por Lama AlShami 1 In paragraph 1 of Source 1, the phrase “burying its head in the sand” most nearly means a celebrating new technology b ignoring a problem c promoting file-sharing 2 The author’s overall attitude toward hologram tours in Source 1 can best be described as a cautiously supportive b strongly opposed c confused 3 In Source 1, paragraph 3, the word “cataloguing” most nearly means a copying b destroying c organizing and presenting 4 In Source 1, paragraph 4, the author argues that critics who oppose hologram tours are being a overly sentimental b financially irresponsible c condescending toward fans 5 Which of the following best describes the author’s main claim in Source 1? a Hologram tours are disrespectful to dead artists. b Hologram tours are a natural and positive evolution of the music industry. c Only families benefit from hologram tours. 6 In Source 2, The phrase “hard pass” in paragraph 4 most nearly means a enthusiastic approval b complete rejection c mild interest 7 In Source 2, In paragraphs 6–7, the author suggests that Whitney Houston’s music resonated with audiences because a it was technically perfect b it was heavily promoted c it connected to her personal struggles 8 In Source 2, In paragraph 11, the word “ghoulish” most nearly means a disturbing b impressive c humorous 9 What is Becker’s main argument in paragraphs 15–16? a Resistance to holograms is similar to past resistance to new technology. b Families should not control artists’ legacies. c Holograms are identical to live performances. 10 The key difference between the authors of Source 1 and Source 2 is that a Source 1 believes holograms should be banned, while Source 2 supports them. b Source 1 focuses on profits, while Source 2 focuses on emotional authenticity. c Both authors strongly oppose hologram tours for financial reasons.

Froggy Jumps

Holograms - Synthesis practiceVersión en línea

Source 1 is adapted from Fiona Sturges, “Houston, We Have a Solution: Why Hologram Tours Are the Obvious Next Step for the Music Industry.” ©2019 by The Independent Digital News & Media Ltd. Sources 1 and 2 discuss holograms. In this context, holograms are images projected with lasers that appear to a viewer to be threedimensional.

por Lama AlShami

In paragraph 1 of Source 1, the phrase “burying its head in the sand” most nearly means

celebrating new technology

ignoring a problem

promoting file-sharing

The author’s overall attitude toward hologram tours in Source 1 can best be described as

cautiously supportive

strongly opposed

confused

In Source 1, paragraph 3, the word “cataloguing” most nearly means

copying

destroying

organizing and presenting

In Source 1, paragraph 4, the author argues that critics who oppose hologram tours are being

overly sentimental

financially irresponsible

condescending toward fans

Which of the following best describes the author’s main claim in Source 1?

Hologram tours are disrespectful to dead artists.

Hologram tours are a natural and positive evolution of the music industry.

Only families benefit from hologram tours.

In Source 2, The phrase “hard pass” in paragraph 4 most nearly means

enthusiastic approval

complete rejection

mild interest

In Source 2, In paragraphs 6–7, the author suggests that Whitney Houston’s music resonated with audiences because

it was technically perfect

it was heavily promoted

it connected to her personal struggles

In Source 2, In paragraph 11, the word “ghoulish” most nearly means

disturbing

impressive

humorous

What is Becker’s main argument in paragraphs 15–16?

Resistance to holograms is similar to past resistance to new technology.

Families should not control artists’ legacies.

Holograms are identical to live performances.

The key difference between the authors of Source 1 and Source 2 is that

Source 1 believes holograms should be banned, while Source 2 supports them.

Source 1 focuses on profits, while Source 2 focuses on emotional authenticity.

Both authors strongly oppose hologram tours for financial reasons.

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Holograms - Synthesis practice

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Froggy Jumps

Holograms - Synthesis practiceVersión en línea

por Lama AlShami

In paragraph 1 of Source 1, the phrase “burying its head in the sand” most nearly means

The author’s overall attitude toward hologram tours in Source 1 can best be described as

In Source 1, paragraph 3, the word “cataloguing” most nearly means

In Source 1, paragraph 4, the author argues that critics who oppose hologram tours are being

Which of the following best describes the author’s main claim in Source 1?

In Source 2, The phrase “hard pass” in paragraph 4 most nearly means

In Source 2, In paragraphs 6–7, the author suggests that Whitney Houston’s music resonated with audiences because

In Source 2, In paragraph 11, the word “ghoulish” most nearly means

What is Becker’s main argument in paragraphs 15–16?

The key difference between the authors of Source 1 and Source 2 is that

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