Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov

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film vertov effects

Edad recomendada: 12 años

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V scola

México

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Cinematic techniques in Man with a Movie Camera (1929), Dziga VertovVersión en línea Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov por V scola 1 Vertov was one of the first filmmakers to experiment with frame-rates, manipulating the number of times per second that his camera captured the action in order to distort the speed of certain clips when the film passed through a projector at its usual 24 frames per second. Selecciona una o varias respuestas a slow motion b the dissolve c stop motion d split screen e double exposure f fast motion - freeze frame 2 This technique is called... Selecciona una o varias respuestas a split screen b flashback c freeze frame d slow motion e stop motion f the dissolve - freeze frame 3 When Vertov exposes the same strip of film to two different images to overlay them Selecciona una o varias respuestas a Double exposure b split screen c fade-in d freeze frame e stop motion f the dissolve - freeze frame 4 When the final frames of one image are briefly laid over the introductory frames of the next. It is the oldest form of film transition Selecciona una o varias respuestas a fast-forward b the dissolve c double exposure d fade-out e match cut f the dissolve - freeze frame 5 By moving the inanimate object very slightly between each frame, Vertov created the illusion that the camera had developed a mind of its own and came to life before the audience’s eyes. Selecciona una o varias respuestas a travelling shot b stop trick c slow motion d stop motion e none f the dissolve - freeze frame 6 Vertov uses this technique, in a way that is still adopted today, to focus on different actions or spaces at the same time. Selecciona una o varias respuestas a the dissolve b double exposure c aerial shot d rhytmic cut e split screen f slow motion - freeze frame

Cinematic techniques in Man with a Movie Camera (1929), Dziga VertovVersión en línea

Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov

por V scola

Vertov was one of the first filmmakers to experiment with frame-rates, manipulating the number of times per second that his camera captured the action in order to distort the speed of certain clips when the film passed through a projector at its usual 24 frames per second.

Selecciona una o varias respuestas

slow motion

the dissolve

stop motion

split screen

double exposure

fast motion

freeze frame

This technique is called...

Selecciona una o varias respuestas

split screen

flashback

freeze frame

slow motion

stop motion

the dissolve

freeze frame

When Vertov exposes the same strip of film to two different images to overlay them

Selecciona una o varias respuestas

Double exposure

split screen

fade-in

freeze frame

stop motion

the dissolve

freeze frame

When the final frames of one image are briefly laid over the introductory frames of the next. It is the oldest form of film transition

Selecciona una o varias respuestas

fast-forward

the dissolve

double exposure

fade-out

match cut

the dissolve

freeze frame

By moving the inanimate object very slightly between each frame, Vertov created the illusion that the camera had developed a mind of its own and came to life before the audience’s eyes.

Selecciona una o varias respuestas

travelling shot

stop trick

slow motion

stop motion

none

the dissolve

freeze frame

Vertov uses this technique, in a way that is still adopted today, to focus on different actions or spaces at the same time.

Selecciona una o varias respuestas

the dissolve

double exposure

aerial shot

rhytmic cut

split screen

slow motion

freeze frame

Cinematic techniques in Man with a Movie Camera (1929), Dziga Vertov

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Cinematic techniques in Man with a Movie Camera (1929), Dziga VertovVersión en línea

por V scola

Vertov was one of the first filmmakers to experiment with frame-rates, manipulating the number of times per second that his camera captured the action in order to distort the speed of certain clips when the film passed through a projector at its usual 24 frames per second.

Selecciona una o varias respuestas

This technique is called...

Selecciona una o varias respuestas

When Vertov exposes the same strip of film to two different images to overlay them

Selecciona una o varias respuestas

When the final frames of one image are briefly laid over the introductory frames of the next. It is the oldest form of film transition

Selecciona una o varias respuestas

By moving the inanimate object very slightly between each frame, Vertov created the illusion that the camera had developed a mind of its own and came to life before the audience’s eyes.

Selecciona una o varias respuestas

Vertov uses this technique, in a way that is still adopted today, to focus on different actions or spaces at the same time.

Selecciona una o varias respuestas