Attendance Nov 18th

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Sonata analysis

Creada por

Angelica Trujillo

Estados Unidos

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#	Jugador	Acierto	tiempo
1	chrisvh 18 de Noviembre de 2025	% 100	02:48
2	mantej ubhi 18 de Noviembre de 2025	% 100	02:50
3	Alex North 18 de Noviembre de 2025	% 86	04:52
4	Anne-Louise Anstey 18 de Noviembre de 2025	% 86	06:28
5	Logan Doyle 18 de Noviembre de 2025	% 71	01:36
6	persis oaks 18 de Noviembre de 2025	% 71	01:55
7	Abigail Cunico 18 de Noviembre de 2025	% 71	02:06
8	christian diaz 18 de Noviembre de 2025	% 71	02:23
9	Destina Sarussi 18 de Noviembre de 2025	% 71	03:08
10	Michael Curshellas 18 de Noviembre de 2025	% 71	03:56

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Attendance Nov 18thVersión en línea Sonata analysis por Angelica Trujillo 1 Identify which timbral characteristics contribute to the “early music” sound of this piece. a A string quartet (2 violins, viola, cello) b A chamber orchestra with virtuosic soloists c A consort of viols (5 viols) d Solo flute with continuo 2 Describe how the voices interact: do they move together, imitate each other, or alternate? a Monodic (single melodic line) b Imitative polyphony c Homophonic (melody + accompaniment) d Silence-based dramatic effects 3 Listen to whether the music is organized into clear sections or flows continuously. Do you hear strong cadences? a Theme and variations b Sonata form (exposition–development–recapitulation) c Rondo (A–B–A–C–A) d Through-composed with blurred sectional boundaries 4 Does the rhythm sound free like a prelude, or more regular and measured? a Unmeasured (no clear pulse) b Measured, with a regular meter c Shifting between irregular meters d Based on dance patterns with strong two-bar accents 5 Listen to the cadences: do they sound clearly tonal (dominant–tonic) or more modal? a 12th mode (C-Hypoionian) with modal cadences b Modern tonal C major c Harmonic minor with V–i cadences d Chromatic and atonal 6 Does the piece sound closer to late Baroque virtuosity, or to an older, more austere style? a Virtuosic and soloistic, typical of the late Baroque b Dramatic and operatic with large contrasts c Homogeneous and austere, characteristic of older modal styles d Based on social-dance patterns 7 This piece is intended to showcase the virtuosity of a solo performer. a True b False Feedback 1 A consort of viols (5 viols) 2 Imitative polyphony 3 Through-composed with blurred sectional boundaries 4 Measured, with a regular meter 5 12th mode (C-Hypoionian) with modal cadences 6 Homogeneous and austere, characteristic of older modal styles

Attendance Nov 18thVersión en línea

Sonata analysis

por Angelica Trujillo

Identify which timbral characteristics contribute to the “early music” sound of this piece.

A string quartet (2 violins, viola, cello)

A chamber orchestra with virtuosic soloists

A consort of viols (5 viols)

Solo flute with continuo

Describe how the voices interact: do they move together, imitate each other, or alternate?

Monodic (single melodic line)

Imitative polyphony

Homophonic (melody + accompaniment)

Silence-based dramatic effects

Listen to whether the music is organized into clear sections or flows continuously. Do you hear strong cadences?

Theme and variations

Sonata form (exposition–development–recapitulation)

Rondo (A–B–A–C–A)

Through-composed with blurred sectional boundaries

Does the rhythm sound free like a prelude, or more regular and measured?

Unmeasured (no clear pulse)

Measured, with a regular meter

Shifting between irregular meters

Based on dance patterns with strong two-bar accents

Listen to the cadences: do they sound clearly tonal (dominant–tonic) or more modal?

12th mode (C-Hypoionian) with modal cadences

Modern tonal C major

Harmonic minor with V–i cadences

Chromatic and atonal

Does the piece sound closer to late Baroque virtuosity, or to an older, more austere style?

Virtuosic and soloistic, typical of the late Baroque

Dramatic and operatic with large contrasts

Homogeneous and austere, characteristic of older modal styles

Based on social-dance patterns

This piece is intended to showcase the virtuosity of a solo performer.

True

False

Feedback

A consort of viols (5 viols)

Imitative polyphony

Through-composed with blurred sectional boundaries

Measured, with a regular meter

12th mode (C-Hypoionian) with modal cadences

Homogeneous and austere, characteristic of older modal styles

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Attendance Nov 18th

Test

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Creada por

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Attendance Nov 18thVersión en línea

por Angelica Trujillo

Identify which timbral characteristics contribute to the “early music” sound of this piece.

Describe how the voices interact: do they move together, imitate each other, or alternate?

Listen to whether the music is organized into clear sections or flows continuously. Do you hear strong cadences?

Does the rhythm sound free like a prelude, or more regular and measured?

Listen to the cadences: do they sound clearly tonal (dominant–tonic) or more modal?

Does the piece sound closer to late Baroque virtuosity, or to an older, more austere style?

This piece is intended to showcase the virtuosity of a solo performer.

Feedback

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