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C 11 Principles of Hair Design

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Milady

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Froggy Jumps

C 11 Principles of Hair DesignVersión en línea

Milady

por Bonnie Holcomb
1

The element of hair design that defines form and space is a:

2

Lines a constant distance apart in the same direction that are used to create width in a hair design are:

3

The type of line used to make a hairstyle appear longer and narrower is a(n):

4

Repeating lines in a hairstyle, straight or curved are:

5

Curved lines that are used to blend and soften horizontal or vertical lines are:

6

Contrasting lines are horizontal and vertical lines that create a hard edge and form a:

7

The form or mass of a hairstyle may also be called:

8

The area surrounding the form is:

9

The wave pattern used to accentuate the face and narrow a round head shape should be:

10

A single line of color, or a series of repeated lines, creates a:

11

Colors that recede or move in toward the head, creating the illusion of less volume are:

12

Establishing equal or appropriate proportions to create symmetry in a design is called:

13

The hair design where both sides of a hairstyle form a mirror image of each other is known as:

14

The regular pulsation or recurrent pattern of movement in a design is the:

15

The principle of hair design that holds all the elements of design together is:

16

The two defining characteristics of hair type are:

17

A client’s facial shape is determined by the position and prominence of the:

18

The facial shape that is one and a half times longer than its width across the brow is the:

19

The styling choice for a client with a round facial type would be a style that has:

20

The outline of the face, head, and figure seen in a side view is the:

21

The profile that is considered to be ideal is the:

22

Lighter highlights may be used at the temples to create the illusion of:

23

Hair should be directed forward in the chin area for:

24

To create the illusion of decreasing width in the forehead, recommend:

25

For a narrow forehead to create the illusion of width you should:

26

A diagonal back parting creates the illusion of:

27

The standard or ideal facial shape is:

28

To correct a diamond-shaped face fullness is needed everywhere EXCEPT at the:

29

1/3 of the standard face would extend from the chin to the bottom of the:

30

The problem with a diamond-shaped face is that it is narrrow at the chin and:

31

Round or square facial shapes are given a center parting to create the illusion of:

32

The use of bangs will reduce the forehead area which is desirable for the person with a:

33

When styling hair on someone with close set eyes create the illusion of:

34

The face is divided into _____zones:

35

Asymmetrical styles are best for:

36

There are three profiles. One is straight and the other two are:

37

Asymmetrical styles are most suitable for clients whose noses are:

38

The profile considered to be ideal is:

39

The cosmetologist's objective is to accentuate a client's 1.

40

The concave profile is indicated by a:

41

A receding forehead and chin are typical of the:

42

How should you set a triangle (pear) shaped face client?

43

Peter has a forehead and chin that are narrow, while his cheekbones are wide. What facial shape does he have?

44

How do you style a client with a diamond shaped face?

45

Identify a true statement about the occipital bone.

46

In the context of the areas of the head, which of the following statements best describes the crown?

47

In the context of standard reference points, the __________ is the head's widest area, starting at the temples and ending at the bottom of the crown.

48

Which of the following curl patterns and/or hair textures does not reflect light?

49

Which of the following statements best describes the head form?

50

Which of the following is one of the five basic elements of three-dimensional hair design?

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