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María Alejandra Millán Betancourt
1

WHILE CHARGE WHAT FACT LIKELY ANY NOT OUT FAR WITH TO MAY TOGETHER AS BEFORE


The fate of any pop band is a question that ( 0 ) NO longer is of interest to its fans alone . ( 1 ) only have economists recognised pop music's importance ( 2 ) a business , pointing ( 3 ) that it contributes more ( 4 ) export earnings than the steel industry , but strange as it ( 5 ) seem , people in some countries spend more on pop than they do on fruit and vegetables . ( 6 ) such serious money washing around , the question of ( 7 ) will be the next big thing is ( 8 ) too important to be left to random factors such as chance and talent . ( 9 ) the great names of rock in the 60s and 70s formed bands spontaneously ( 10 ) they were discovered and then marketed , their successors are increasingly ( 11 ) to be brought ( 12 ) by marketing men . Many groups , often sold as four young men or women in ( 13 ) of their own destiny , were in ( 14 ) dreamed up and promoted by middle - aged men . Designing a band is much the same as designing ( 15 ) other product : take a basic , successful model and adapt it . The challenge , when everything has been tried already , is to persuade consumers that what you are doing is some way innovative .