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Pasapalabra del Renacimiento
Author :
Gabriela Martos García
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Starts with
A
Polyphonic choral form for four voices and written in English.
Contains
B
The concept of orchestra did not yet exist, but the first esembles of instruments appeared.
Starts with
C
Contains
D
It was still modal, they moved along a scale with a few large leaps.
Contains
E
Polyphonic choral form in Latin. The text is sacred but not connected to the liturgy.
Starts with
F
Starts with
G
Official singing of the Catholic Church.
Contains
H
Was regular and smooth, except in dances.
Contains
I
Is a polyphonic choral form written in Italian. It tries to reflect the text.
Starts with
J
Dowland's name.
Starts with
L
Starts with
M
Polyphonic choral written in Latin. It is sacred and puts together all the pieces of the liturgy.
Contains
N
Polyphonic choral form, written in French.
Contains
O
It was modal and based on the triad.
Starts with
P
Style that simultaneously combines different parts.
Contains
Q
Chanson composer.
Starts with
R
Artistic period that runs from the 15th century to the 16th century.
Contains
S
Main composer of the Catholic Counter-Reformation.
Starts with
T
God is the centre of the universe.
Contains
U
Man is the centre of the universe.
Starts with
V
Homophonic choral form for four voices, structured in coplas.
Starts with
W
Meaning of the french term mot.
Contains
X
Polyphony prevailed, with balance between the voices.
Contains
Y
It markings weren't yet used on scores but there were changes in intensity.
Contains
Z