points
precipice
quarry
find
Historic
history
Janeiro
light
image
future
restorations
years
Brazil
city
hard
rain
today
globe
sun
18th
rough
Corcovado
renovation
hard
soapstone
France
contours
symbol
fashioned
engineer
Costa
top
cross
face
city
stones
reality
gray
concrete
iconic
exploring
overlooking
1920
church
Preto
several
the
darker
carrying
admired
shots
2020
Deco
experts
seen
statue
divine
Catholics
sketch
War
design
1889
support
creation
BBC
concrete
decided
sharpened
Redeemer
strong
different
nation
needed
traveled
Artistic
statue
shipped
same
dry
necessitating
target
stones'
country
new
Mount
Brazilian
sculptor
Silva
godlessness
statue
Christ
breathtaking
Paul
Christ
open
said
statue's
replace
soapstone
Carlos
tall
tiles
strikes
Brazilian
You've
no
doubt
____________________
sweeping
____________________
of
the
____________________
Christ
the
____________________
monument
____________________
Rio
de
____________________
.
Beyond
its
____________________
views
,
the
____________________
has
a
colorful
____________________
that's
worth
____________________
,
and
a
____________________
that
could
leave
it
looking
very
____________________
from
how
it
does
____________________
.
Following
the
____________________
of
the
____________________
republic
in
____________________
,
which
separated
____________________
and
state
,
fear
began
to
grow
amongst
____________________
that
the
____________________
was
headed
toward
a
____________________
.
After
World
____________________
I
,
followers
felt
they
____________________
a
____________________
to
counteract
what
they
saw
as
increasing
"
____________________
"
throughout
the
____________________
.
In
____________________
,
they
selected
____________________
Heitor
da
____________________
Costa's
design
of
a
____________________
of
____________________
to
be
situated
on
the
____________________
of
____________________
Corcovado
overlooking
the
____________________
.
Da
Silva
Costa's
initial
____________________
was
of
Christ
____________________
a
large
____________________
in
one
hand
and
a
____________________
in
____________________
other
.
The
statue
,
he
noted
,
should
____________________
the
rising
____________________
.
After
surveying
____________________
from
various
____________________
throughout
the
____________________
and
consulting
with
Brazilian
artist
____________________
Oswald
,
Da
Silva
____________________
came
up
with
a
____________________
design
:
an
Art
____________________
,
arms
-
wide
-
____________________
Christ
.
Da
Silva
Costa
____________________
to
____________________
in
search
of
a
world
-
class
____________________
to
turn
his
____________________
design
into
____________________
.
He
eventually
commissioned
____________________
Landowski
,
a
French
-
Polish
sculptor
who
further
____________________
the
statue's
Art
Deco
____________________
.
Over
the
next
____________________
years
,
Landowski
____________________
the
98
-
foot
____________________
sculpture
in
clay
pieces
,
which
were
then
____________________
to
____________________
and
remade
with
reinforced
____________________
,
which
was
one
of
the
few
materials
____________________
enough
to
____________________
the
____________________
.
But
Da
Silva
Costa
and
others
felt
____________________
was
too
____________________
for
the
fine
____________________
of
Christ's
____________________
and
eventually
chose
____________________
to
craft
the
____________________
.
Wind
and
____________________
have
worn
away
at
the
____________________
stone
tiles
,
____________________
numerous
____________________
over
the
____________________
.
Christ
the
Redeemer
is
also
a
frequent
____________________
of
lightning
____________________
.
When
Da
Silva
Costa
____________________
to
cover
the
statue
with
____________________
tiles
,
he
chose
a
very
____________________
colored
strain
from
a
quarry
near
the
city
of
Ouro
____________________
.
It
was
the
____________________
stone
used
by
the
____________________
century
____________________
sculptor
Aleijadinho
,
whom
Da
Silva
Costa
greatly
____________________
.
Unfortunately
,
the
____________________
has
run
____________________
,
and
restoration
____________________
are
having
a
____________________
time
replicating
the
____________________
light
____________________
hue
when
they
have
to
____________________
them
.
A
spokesman
for
Brazil's
National
Institute
of
____________________
and
____________________
Heritage
recently
told
the
____________________
that
when
the
next
major
____________________
happens
in
____________________
,
replacement
stones
will
be
____________________
.
"
The
____________________
of
____________________
are
____________________
to
____________________
,
"
he
____________________
.