SUITE
FUGUE
OVERTURE
OPERA
ARIA
SOLO CONCERTO
CONCERTO GROSSO
SUITE
PASSION
ORATORIO
OPERA SERIA
OPERA BUFFA
RECITATIVE
SONATA
IT MAKES USE A PLOTS BASED ON DAILY LIFE, WITH CHARACTERS CLOSER TO THE AUDIENCE.
THE MOST POPULAR DANCES DURING BAROQUE WERE: ALLEMANDE COURRANTE SARABANDE GIGUE
IT IS A FORM THAT CAN BE COMPOSED FOR A SOLO INSTRUMETNT, A DUO OR A TRIO, BUT ALWAYS WITH THE ACCOMPANIMENT OF THE HARPSICHORD.
IT IS AN ORATORIO ABOUT THE PASSION AND DEATH OF CHRIST.
COMPOSED FOR A SINGLE SOLOIST INSTTRUMENT WHICH CONSTANT DIALOGUE WITH THE ORCHESTRA
IT IS A FORM FOR ONE INSTRUMENT (an organ or a harpsichord) WHICH CONSISTS OF THE IMITATION OF A MAIN THEME.
EXPRESSIVE MELODIES PERFORMED BY SOLOISTS FOR MORE EMOTINAL TEXTS
MAKES USE A PLOTS BASED ON MYTHOLOGICAL AND HEROIC TOPICS WRITTEN IN ITALIAN.
FOR A GROUP OF SOLOISTS (CONCERTINO) AND THE REST OF THE ORCHESTRA (TUTTI)
DECLAIMED TEXT FOR PASSAGES REQUIRING A MORE AGILE ACTION PROGRESS.
CAN BE REGARDED AS AN OPERA WITH A RELIGIOUS THEME BUT WITHOUT STAGE PERFORMANCE.
INSTRUMENTAL INTRODUCTION WHICH MARKS THE BEGINNING OF THE OPERA
IT IS AN INSTRUMENTAL FORM COMPOSED BY A GROUP OF DANCES.
IT IS A COMPOUND VOCAL FORM WITH A NARRATIVE NATURE WHICH MAKES USE OF STAGE PERFORMANCE