Relacionar Columnas topic 19Versión en línea quotes por Tania Alcázar Martín 1 DRAMA TECHNIQUES (Annex II: giving directions, practice sialogues, vocabulary (elicit), production (mime sentences) cultural (body language if they go abroad) 2 ELEMENTS present in a drama lesson.. 3 Taught reading in a natural way at Summerhill Freedom School 4 ROLES OF THE TEACHER WITH DRAMA ACTIVITIES... 5 STAGES of drama... 6 RELATIONSHIPS (T&S) 7 Tell me and I forget, Teach me and I remember, Involve me and I learn. 8 MODELS OF INTERACTION (T-S) 9 Charlyn Wessels 10 Drama understood as 11 Group work in RD 126/2014 Feb 28th 12 Imagination is more important than knowledge. For knowledge is limited to all we now know and understand while imagination embraces the entire world, and all there ever will be to know and understad. 13 Donn Byrne about group work advantages... relationships, physical environment, warm-ups, goal orientation, outgoing stds, background role of the teacher. Albert Einstein 1879-1955 cooperation// autonomy// empathy// activity// equality Resource// assessor// organiser// participant// tutor prose or verse composition that is represented by actors impersonating the characters and performing the dialogues and actions. Neill contemplates the need to develop the ability to work not only individually but also in groups, as one of the OBJECTIVES. increase speaking time, 4 skills integrated, improve personal relationships, help and learn from each other, Benjamin Franklin 1706-1790 Organiser-inventor // observer- facilitator// observer-inventor // communicative Drama means literally, "doing". As the involvement in learning through direct experience (become actively involved) Simulation(asked to be themselves in imaginary situations) //Role-play (stds take roles and pretend they are someone else in a particular situation).// Representation of tales (+ suitable for older, interpreting orally, DONN BYRNE = process is + important than product) PUPPET SHOWS, telling jokes, miming (Hymes and J. Asher (TPR) and Canale and Swain (Strategic comp)) Warm-up, setting the context, questions about characters, improvisation, mime and role, feedback (ANNEX hot-seating//forum theatre//meetings//paired improvisation//flashbacks and flash forward)
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